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・ The Boss (Jimmy Smith album)
・ The Boss (Metal Gear)
・ The Boss (Rick Ross song)
・ The Boss (roller coaster)
・ The Boss (Timati album)
・ The Boss and the Worker
・ The Boss Buckle EP
・ The Boss discography
・ The Boss Harmony Sessions
・ The Boss Is Back!
・ The Boss Is Coming to Dinner
・ The Boss Men
・ The Boss o' Yedden
・ The Boss of Big Town
・ The Boss of It All
The Boss of the Blues
・ The Boss of the Rancho
・ The Boss' Wife
・ The Bosses
・ The BossHoss
・ The Bossier Strip
・ The Bosstones
・ The Boston Associates
・ The Boston Cotillion
・ The Boston Courant
・ The Boston Foundation
・ The Boston Globe
・ The Boston Harbor Association
・ The Boston Journal
・ The Boston Miscellany


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The Boss of the Blues : ウィキペディア英語版
The Boss of the Blues


''The Boss of the Blues'' is a 1956 album by the American blues shouter Big Joe Turner. Originally released on the Atlantic label, the album has been reissued many times on cassette and CD by Atlantic, Rhino and Collectables.
== History ==
From the 1920s through the 1930s, Turner and boogie-woogie pianist Pete Johnson enjoyed a successful and highly influential collaboration that, following their appearance at Carnegie Hall on December 23, 1938, helped launch a craze for boogie-woogie in the United States.〔McGee, David. (Big Joe Turner ) ''Rolling Stone''. Reproduced from The New Rolling Stone Album Guide. Accessed October 22, 2007.〕 After the pair separated, Turner continued to experience cross-genre musical success, establishing himself as one of the founders of rock and roll with such smash hits as "Shake, Rattle and Roll", but he did not turn his back on his roots.〔 ''The Boss of the Blues'' marks one of the last reunions Turner would have with Johnson, as, supported by a number of swing's best performers,〔 they re-created a number of the classic tracks that had helped lay the groundwork for rhythm and blues.〔
A presenter of jazz on Australian Broadcasting Commission radio said of this record, "When someone asks you 'What is Jazz?', just play the opening bars of 'Roll 'Em Pete'". The bold, vigorous arrangements by the veteran Ernie Wilkins fully represent the traditions of Kansas City music, while also giving a 'mainstream' platform to the musicians, not all of whom, e.g. both Pete Brown and Lawrence Brown, had K.C. backgrounds.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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